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のどかな田畑が広がる集落に建つ、兼業農家のための住宅です。
当初、江戸期からある築270年ほどの母屋を直す計画でしたが、様々な問題から隣地に新築をすることになりました。現在の母屋はトタンで覆われていましたが、昔の写真を見せてもらった時に、山の稜線と相似する茅葺屋根の景色に魅了されたことをよく覚えています。

新築の計画は、幸いなことに長い設計期間があったので、一年、四季を通して敷地の状況を観察しながら、最適解を検討することができました。斜面と背後に広がる竹林との距離間と影が落ちる位置、緩やかに傾斜する地盤の状態と脇を流れる水路との関係、周囲の畑への日射を妨げない高さ調整と借景の取り込み方などの要因とバランスを検討しながら建築を３つの切妻型のボリュームに分割し、枝葉が分かれるようにつないでいくカタチに収束していきました。

場所の外的な環境を重視して導きだされた内部空間には多様な光景があり、空間に深い奥行きを生み出しています。また、外壁は風雨で徐々に表情を変える焼杉を伝統的な方法で自ら焼き、大工さんに張ってもらいました。手間はかかりますが工業製品にはない経年劣化の美しさと高い耐久性があり、この場所において意味がある素材だと考えました。また、内部の壁はシルバーのアルミニウムペイント塗りとすることで、外部の緑色を内壁に写し取ってくれます。

A house for a conglomerate farmer that is built in a community spreading peaceful fields.
Initially, there was a plan to fix the main building of about 270 years from the Edo period, but due to various problems it was decided to build a new neighbor in the neighborhood.
The current main building has been covered with tin, but I remember well that I was fascinated by the scenery of the roof which is similar to the ridgeline of the mountain when I showed the old picture.

The newly built plan also started a study from a simple house type with the impression of the main building, but I do not really like it. That's why the building was built in the best place as a residential land, because there were not enough land left.However, fortunately there was a design period for many years, so we were able to examine the optimal solution observing the condition of the site through one year and four seasons.Factors such as the bamboo forest spreading on the slope and behind it, the position where its distance and shadow falls, the relationship between the state of the gently tilted ground and the waterway flowing by the side, the height adjustment that does not prevent the solar radiation to the surrounding fields and how to capture the landscape While considering balancing and I divided the architecture into three gable-type bodies and converged to what they were connected to make it understand branches and leaves.

There are various sights in the interior space that gained emphasis on the external environment of the place, creating a deep depth in the space.In addition, the outside wall was baked by traditional methods and baked cedars that gradually changed facial expressions with wind and rain, and carpenters stretched it.Although it takes time and effort, it has beauty of aged deterioration and high durability which are not found in industrial products, and I thought that this material is a valuable material in this place.In addition, by painting the inner wall with aluminum paint of silver, it will copy the external green onto the inner wall.

CREDIT:

建築/Architect

森屋隆洋/Takahiro Moriya

構造/Structural engineer

諏訪部建築事務所　諏訪部高広/Takahiro Suwabe

用途/Program

住宅/Housing

構造/Structure

木造/Wood frame

敷地面積/Site area

267㎡

建建築面積/Building area

68㎡

延べ床面積/Total floor area

68㎡